Tagged with literary fiction

Sex and Violence: An Interview

The more connections I make in the writing world, the more I have the opportunity to read early copies of novels (which I love). This week I finished reading my ARC of Carrie Mesrobian’s debut Young Adult novel Sex & Violence, and I wanted to talk about it with someone. Actually, I really really really wanted … Continue reading

Letting my junk hang out

So I’m at this retirement party for these two guys my husband used to work with and I’m talking to this woman–another former co-worker of my husband, but also a friend of mine–who mentions she read (at least started to read) the original story I tried drafting in real-time on this blog. That story was … Continue reading

My first time getting paid for it.

Usually I give it up for free. Now I feel used and I haven’t even held the check in my hand, just a contract promising me $250. (I hear that’s good money for what I just did.) Yeah, that’s right. I sold a piece of myself…A piece of writing. I thought it would feel better, but … Continue reading

Crashing the Tin House Writer’s Workshop

Of course I couldn’t officially attend Tin House’s writing extravaganza this past week—it’s like $1,100. And of course I’ve been plotting for months to go anyway. The thing is, I’ve been to enough of these writing confabs to know they’re a bit like weddings. Everybody’s slightly drunk and blissed-out and wouldn’t know if you’re a cousin of the groom … Continue reading

The fine art of a Party Cat battle

I’m not sure why I love this mural. It’s painted on a building along Seattle’s busway in the SoDo Urban Art Corridor. Maybe it’s the absurdity or the tension or the cat’s pink party hat or the red star on the girl’s pocket. There’s something about the look in that Girlie’s wild cartoon eyes that draws … Continue reading

The Best Bad Book Titles EVER!

My friend Carrie Mesrobian is getting ready to have her first novel published. With a real publisher and everything. The book is YA and is going to be rad and she’s gonna be famous and all that. So yesterday, Carrie mentioned that she still doesn’t have a title for said forthcoming novel, which she’s just been calling … Continue reading

What I do when I’m depressed about writing

I just read my last post about creating quirky characters and groaned. Out loud. And made that hideous pig-snorting face reserved for people who have just done something stupid. What kind of an idiot makes herself into a cutsie fake character on a blog? To make matters worse, I read this passage by Charles Baxter … Continue reading

THOSE kind of people.

This week I’m reading  Stephen Chbosky’s The Perks of Being a Wallflower and, of course, now I’m thinking about how I like quirky, distinct characters in writing. Also I’m wondering how best to create my own characters like Charlie, the book’s first-person narrator. If you haven’t read the book, it’s worth the read. Unless you hated Catcher … Continue reading

Why I heart my MFA Program

My last post was about my choice to pursue on MFA in creative writing. This one’s about which MFA program I chose and how I chose it. But first I’d like to echo the article Poets & Writers wrote on the topic this past fall and say that my decision to attend a program and … Continue reading

Why I Decided to Get an MFA

Two more months and I’ll have completed my first year in Pacific Lutheran University’s low-res MFA program in Creative Writing (fiction). Super excited. I often get asked about the program–What’s it like? Why’d you choose it? Why low-residency?–all the questions I asked when I was trying to decide 1.) if I should pursue an MFA, … Continue reading

Extremely Incredibly Peculiar Child Narrators

As a rule I like kid narrators.  I read a lot of them. An embarrassingly high percentage of the books I read are YA and most young adult novels feature a first-person narrator between the ages of 14 and 17. This week, I met sixteen-year-old Jacob whom I accompanied on a quest to solve the mystery of … Continue reading

Who needs writing groups?!

I made the transition from working 40+ hours a week as an executive manager in a public agency to becoming a full-time writer and graduate student over a period of several years. At one point during this transition, I was participating in three separate writing groups. Now I am frequently asked, “Were all those writing … Continue reading